Hacia una hermenéutica de los procesos de creación en artes plásticas.

Abstract

This article arises from the general approach to the following problem: are there some fundamental features in the plastic creation processes? Due to the breadth of this question, this paper is specifically limited to answering this question from a hermeneutical approach on the processes of creation in the training practices in plastic arts carried out at the Departmental Institute of Fine Arts, Cali, Colombia. To do this, we will first explain some fundamental concepts of the hermeneutical position H.G. Gadamer, to test an interpretation of the processes of plastic creation from this point of view and the possible sense open to the interior of these creation processes.