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Ítem Literatura y memoria colectiva de la guerra Del cronotopo histórico real al cronotopo histórico literario(2024-12-20) García Vera, Nylza OffirSeeing, listening to and understanding a literary work means attending to another discursive consciousness, in such a way that reading must be a search for the word of the other and of the other. By means of the Bakhtinian categories of novel chronotope and historical-literary chronotope and following the dialogic method of the thinker, the book that the reader has in his hands presents a rigorous study of the literary discourse, understood as a communicative, discursive and medial expression of the collective memory. In this sense, the author proposes a hermeneutic journey hand in hand with the social and political history of the country, to delve into the Colombian literary canon and propose some readings of the novels of violence, which refract the memories or voices of that fateful time, and of the novels of memory, which focus on processes of reconstruction and revaluation from the perspective of the vanquished. With this bet in mind, we identify the first narratives that in the eighties began to account for the Colombian armed conflict and show how these narratives move between the historical-real chronotope and its allegory, first as a chronotope of violence and then as a chronotope of memory, to deploy, finally, an analysis of what this literary production tells us about the Colombian society in which it is produced.